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Geschichten (fildy) (full title: “Geschichten polnisch-österreichischer Migration”) is a sound piece that annotates and fabulates stories of migration between Poland and Austria in the 1950s-1980s. Situated in this specific geographical and temporal context, this queer/ing project derives from testimonies and narratives involving and generated by (mostly) Polish and (mostly) nonheteronormative individuals with a temporary or long-term embodied experience of migration. Their stories are remixed with fictionalized accounts of migration, which were imagined in Polish film and TV productions of the “communist” era. The piece’s underlying footage is field recordings, conducted by Morusiewicz in Cracow, Gdansk, and Warsaw, remixed with audio found footage from multiple films, interviews, TV and radio broadcast programs, as well as recordings done during the project’s pre-production phase. The latter coincided with Morusiewicz’s involvement in another project, “Wormhole Stories” (conceptualized and performed with Guilherme Maggessi), a series of performances dedicated to narrating temporal spaces of in-betweenness, analogous to the one that underlies this sound piece. Informed by Pauline Oliveros’s “deep listening” sound composition practice, Morusiewicz reads queerness, or queering, as a commentary, as a critical lens that propagates the idea of a multidimensional and discipline-bending reading of multiple contexts without limiting them to a closed system of denominators. From this perspective, a history of anything, be it queerness or migration, is never singular or stable, it has multiple versions and shapes, all at once.